Like Bosquet's in 1854, Mr Sarkozy's judgment was both harsh and correct.
正如1854年的波苏克将军一样,萨科奇先生的判断可谓逆耳忠言。
Like Bosquet's in 1854, Mr Sarkozy's judgment was both harsh and correct.
正如1854年的波苏克将军一样,萨科奇先生的判断可谓逆耳忠言。
Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.
展出中许多都创作于1926年之后,当尔带着玛莎——的模特儿,的灵感和的爱妻——搬进城郊一个不起眼的别墅“乐凯斯”。
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