I've always been interested in fractured, demented, asymmetrical, incongruous textures, and indeed what I call “dysprosody” – the prosody of distressed sounds.
我一直感兴趣的是诗歌的破碎、错、称、和谐的结构,也就是我说的言语律障碍,即运用破损音的作诗法。
I've always been interested in fractured, demented, asymmetrical, incongruous textures, and indeed what I call “dysprosody” – the prosody of distressed sounds.
我一直感兴趣的是诗歌的破碎、错、称、和谐的结构,也就是我说的言语律障碍,即运用破损音的作诗法。
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