The young boy played the violin sonata masterfully.
那个小男孩的小提琴奏鸣拉得熟练。
The young boy played the violin sonata masterfully.
那个小男孩的小提琴奏鸣拉得熟练。
He played a piano sonata of his own composition.
他弹奏了一首自作的钢琴奏鸣。
I committed the sonata to memory.
我记住了奏鸣。
He played a Beethoven sonata yesterday.
他昨天奏了贝多芬的奏鸣。
These are the opening chords of a sonata.
这些是奏鸣的起始和弦。
Let’s go through the sonata once more.
这个奏鸣咱们再练习一遍。
Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.
许多听众不了解文化背景和缺乏审美情趣,不能区分奏鸣的优劣。
Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.
本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手,将研究厘定于版本学的范畴之中。
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